This album is proof you can make a tripped out, psyche folk, pop record, that sounds like something unearthed by Andy Votel or Johnny Trunk, in a draughty garage in deepest, darkest Leeds in 2010.
It shows that drive, inspiration and an unquenchable desire to create something original, can produce an album, with virtually no money and no backing, but still sounds just as good as anything that came out of a studio in the late 60s.
